Marie Raymond, born on May 4, 1908, in La Colle-sur-Loup, France, was an abstract painter whose creative journey intertwined with Lyrical Abstraction and many other art movements of the 20th century. Her artistic narrative, however, remained obscured by the colossal success of her son, Yves Klein, a prominent figure in the nouveau réalisme movement.

Raised in a middle-class family, Marie's artistic inclination emerged during her formative years in the South of France. Her immersion in Alexandre Stoppelaëre's studio in Cagnes-sur-Mer ignited a profound connection to art, influenced significantly by the vivid hues and serene landscapes of Southern France.

In 1925, she crossed paths with the Dutch-Indonesian painter Fred Klein, whom she married at a youthful age. Their relocation to Paris marked a pivotal juncture in her artistic expedition, propelling her into the bohemian realm of Montparnasse.

The turmoil of World War II ushered Marie and her family back to Cagnes-sur-Mer. Amidst the chaos, she found solace and inspiration, birthing her renowned series 'Paysages imaginaires' (1941-44). Her encounter with Picasso's work spurred a dive into abstraction, infusing elements from impressionism and surrealism into her evolving style.

The post-war period saw Marie's evolution into a luminary of the Parisian art scene. Her vibrant abstract compositions and unique manipulation of colors garnered widespread acclaim, culminating in a series of prestigious exhibitions and accolades.

In 1945, at the 'salon des surindependant,' she reclaimed her maiden name, 'Raymond,' distinguishing her art from her husband's legacy. Her participation in the landmark exhibition 'Peinture abstraite' solidified her position among avant-garde pioneers, standing as the sole female artist among influential contemporaries.

The 'Lundi de Raymond,' her Monday gatherings, fostered artistic camaraderie, drawing emerging talents and established figures to her Rue d'Assas studio. Her influence extended beyond her art, nurturing a space for dialogue and collaboration among budding artists.

Raymond's tenure as an art critic showcased her unwavering commitment to abstract art, championing emerging talents and shedding light on Dutch painters in Paris. Her poignant chronicles encapsulated her advocacy for the movement, transitioning gracefully as the abstract era waned.

The tragic loss of her son, Yves Klein, in 1962 profoundly altered Marie's artistic trajectory. Embracing spirituality and Eastern philosophies, she channeled her grief into ethereal canvases exploring cosmic themes and symbolic representations.

Marie Raymond's artistic voyage culminated in her passing in 1988, leaving behind a legacy steeped in vibrant colors, avant-garde explorations, and a profound influence on the Parisian art landscape.