PROVENCE
Marie Raymond's time in Provence, the picturesque region in the South of France, played a pivotal role in shaping both her life and artistic sensibilities. Born in La Colle-sur-Loup in 1908, Marie's early connection to the vibrant landscapes and rich colors of Provence left an indelible imprint on her artistic journey.
During her youth, Marie attended boarding school at the Blanche de Castille in Nice, laying the groundwork for her artistic pursuits. It was in Provence that she first dipped her brush into the world of art, painting in Alexandre Stoppelaëre's studio in Cagnes-sur-Mer. The Mediterranean sea and the vivid hues of Southern France became enduring sources of inspiration, influencing her artistic palette and choice of themes.
The allure of Provence extended beyond its scenic beauty; it became a meeting ground for artists seeking inspiration. Many, including the Dutch-Indonesian painter Fred Klein, visited the region. Marie encountered Fred in 1925, and their connection marked the beginning of a lifelong partnership in both art and life. The couple married in Nice in 1926, eventually settling in Paris but forever carrying the essence of Provence with them.
YVES KLEIN, FRED KLEIN AND MARIE RAYMOND, RUE JOSEPH LAURENTI, LA COLLE-SUR-LOUP, FRANCE, 1930’S.
Photo Credit: YVES KLEIN ARCHIVES, PARIS
Post-war liberation saw Marie returning to her apartment on Rue d’Assas in Paris, but the influence of Provence continued to echo in her art. The vibrant colors and naturalistic elements of her early works transitioned into abstract and non-figurative art. She participated in major exhibitions, gaining recognition for her distinctive use of color and lines.
Marie Raymond, Yves Klein, Fontenay-aux-Roses, 1931
Photo Credit: J. Bokma - E. De Vrie
The impact of Provence on Marie's art became particularly evident during World War II. Forced to seek refuge back in Cagnes-sur-Mer, Marie created a series titled 'Paysages imaginaires' (1941-44), drawing from the naturalistic elements of the region. It was during this period that she discovered Picasso's work, prompting a shift toward abstraction and a departure from the representational styles of her earlier works.
Marie Raymond's connection to Provence was not solely confined to the aesthetic realm; it became a foundational element of her identity. Her early experiences in the South of France, the meeting with Fred Klein, and the refuge during wartime all contributed to the unique tapestry of influences woven into her artistic narrative. Provence, with its scenic beauty and artistic resonance, remained a constant muse, echoing through Marie's canvases and contributing to the rich legacy of her avant-garde contributions to the art world.